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<title>Brader Bo</title>
<link>http://bualgitar.multiply.com/</link>
<description>Greetings, guitarists and non-guitarists alike. You&#x27;ve just reached the abode of Burhanudin Bin Buang aka Burhan aka Brader Bo. This is a place to talk about all things guitar-related and music-related especially all things related to downtuned,syncophated metal guitar riffing. Beware I&#x27;m a devotee of Gary Holt, James Hetfield, Robb Flynn, Dino Cazares and Marten Hagstrom cult of guitar playing. If you&#x27;re expecting some Malmsteen, Petrucci or Blackmore worship, sorry, I&#x27;ve disappointed you! </description>
<pubDate>Mon, 6 Feb 2012 20:18:42 -0000</pubDate>
<lastBuildDate>Mon, 31 Jan 2011 08:00:41 -0000</lastBuildDate>

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<title>Brader Bo</title>
<url>http://multiply.com/mu/bualgitar/logo</url>
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<item>
<title>BMM 8: I-GUITARING: THE AFTERMATH</title>
<link>http://bualgitar.multiply.com/journal/item/575/BMM_8_I-GUITARING_THE_AFTERMATH</link>
<description>&#x3C;p&#x3E;Unless there were other shows that I didnt know of, Bualgitar Metal Matinee 8: I-Guitaring was the first ever show in Singapore to exclusively use the AmpKit App. Done at a rehearsal room at Fourtones Studio, the room that could logically contain not more than 30 pax, saw about 50 people (including performers and organisers) cramming up the space. &#x3C;/p&#x3E; &#x3C;p&#x3E;Personally, from the view of an advocate, I believe the AmpKit is more than just for &#x22;headphone practice&#x22;. With the correct gears, you can use it for practice or for shows, small and big. I emphasise correct gears.&#x3C;/p&#x3E; &#x3C;p&#x3E;Last Saturday&#x26;nbsp;did not have the correct gears. No offense to the venue owners. In all fairness, a rehearsal room is not conducive to do any shows. But in true underground/DIY spirit, I just made use of whatever limitations there were. The PA board does not have&#x26;nbsp;pan knobs, so the bass and guitars were &#x22;competing for spaces&#x22; in the speakers, which are not exactly full range speakers. The fact that they were competing with h...</description>
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<pubDate>Mon, 31 Jan 2011 08:00:41 -0000</pubDate>
</item>
<item>
<title>Me and My AmpKit.</title>
<link>http://bualgitar.multiply.com/journal/item/574/Me_and_My_AmpKit.</link>
<description>&#x3C;p&#x3E;It&#x27;s been 3 months since I used AmpKit and I must say that I absolutely am loving it! Sure, there&#x27;s still room for improvement but at the moment I&#x27;m enjoying what it has to offer.&#x3C;/p&#x3E; &#x3C;p&#x3E;I bought the Iphone because of the AmpKit app. I was sold because of the AmpKit&#x27;s cool graphics and interface, and most important of all it has a good sound distortion wise. Many emulator devices eg multi-fx floor units and computer recording softwares sound unreal and digital, well at least in my opinion. Not the AmpKit. The sound is organic and not digital at all. Go to youtube and check out Phil Collen of Def Leppard demoing the AmpKit at the recent NAMM!&#x3C;/p&#x3E; &#x3C;p&#x3E;To the casual guitarist who is an Iphone/Ipod Touch/Ipad&#x26;nbsp;owner, you may want to think that the AmpKit is just another novelty app designed primarily for hobby guitar playing or &#x27;headphone amp&#x27; practising but in my opinion, it&#x27;s more than that. This cool little monster can actually be used for rehearsal or live shows with the correct accompanying gear...</description>
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<pubDate>Mon, 24 Jan 2011 16:36:20 -0000</pubDate>
</item>
<item>
<title>TOXIC TESTING!</title>
<link>http://bualgitar.multiply.com/music/item/92/TOXIC_TESTING</link>
<description>This recording is to test my Ampkit App of my Iphone. Couldnt record it with my Audacity software on my home laptop, too much latency. So i tried it with the Pro-Tools at workplace.

Well, it worked. No latency problems.

Ok, this is just a demo of the Chugga Ritual version of Fractured Skull&#x27;s Swimming In Toxic. Yup many unnecessary parts from the original have been cut.

Guitar was a Craftsman Fender Strat wannabe tuned to E standard. You read it right folkies. It doesnt have a humbucker pickup at the bridge, so it&#x27;s a bit or a lot thinny. 

The drums is just &#x27;finger drumming&#x27; on my kids&#x27; toy keyboard. Yeah, it doesnt have that modern polished drum sound.

Ok on the AmpKit, I used for simulators: Peavey 6505+ head, with a Taos Rectifier 4 x 12 cab and two pedals: the Noise Gate and Elevenizer( Tube Screamer) with a SM 57 mic simulator. Those were for the left channel.

For the right channel, I used simulators: Taos Rect head with matching 4 x 12 cab and the same two pedal...</description>
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<pubDate>Mon, 1 Nov 2010 07:54:04 -0000</pubDate>
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<item>
<title>DRUM n GUITARS</title>
<link>http://bualgitar.multiply.com/journal/item/573/DRUM_n_GUITARS</link>
<description>&#x3C;p&#x3E;And so Exodus has destroyed Woodlands, another Hari Raya aka The Day The Demons Riot came and soon to pass, the doctor told me I have gout and Iggor Cavalera wore a Chugga Ritual T-shirt during Mixhell&#x27;s set in Singapore.....&#x3C;/p&#x3E; &#x3C;p&#x3E;God-damn, what a rollercoaster ride of sorts, now I must come back to my AMD aka Aktiviti Memampukan Diri and one of my AMDs being Bualgitar Metal Matinee.&#x3C;/p&#x3E; &#x3C;p&#x3E;Praise be to Gusti Allah that He has granted me knowledge, patience and rezeki for me to continue BMM. Lemme say thanks to all those who have supported, be it the bands or the attendees or my helpers. Lemme all say, as a disclaimer, that BMM is NOT a clinic! In the words of some doubting Thomases, yes I&#x27;m no god-damn Berkelee graduate in guitar playing or instruction. I&#x27;m just a humble and lowly guitar player who just happened to have played guitar, specifically extreme music guitar, for the last 20 years. If you think BMM is bullshit, that&#x27;s your fucking opinion and it&#x27;s not something worth your hate or disgus...</description>
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<pubDate>Sun, 3 Oct 2010 05:52:21 -0000</pubDate>
</item>
<item>
<title>And the point is .................</title>
<link>http://bualgitar.multiply.com/journal/item/572/And_the_point_is_.................</link>
<description>&#x3C;p&#x3E;Of course it has to do with guitar playing and guitar sound.&#x3C;/p&#x3E; &#x3C;p&#x3E;I&#x27;m referring to the free download Chugga Ritual song, When Satan Rules Geylang Serai.&#x3C;/p&#x3E; &#x3C;p&#x3E;If someone&#x27;s (non-metalhead ) pissed just by looking at the title, then it&#x27;s a bonus. If someone immediately see the title and listen to the song, and had a good laugh, he or she is enlightened, intelligent and has a sense of humour. If someone hates the song to death and think that it&#x27;s the worst crap ever, I respect that. If someone gets all religious with the title, then you should get a sense of humor by watching Badul movies.&#x3C;/p&#x3E; &#x3C;p&#x3E;All of the above mentioned is not the point, well from a guitar playing perspective.&#x3C;/p&#x3E; &#x3C;p&#x3E;So what is?&#x3C;/p&#x3E; &#x3C;p&#x3E;If you remember last year I did a blog entry where I posted some clips and asked people to guess what are the guitar specs based on the sound clips. Well, the recording of &#x22;When Satan&#x22; is a practical exercise of sorts.&#x3C;/p&#x3E; &#x3C;p&#x3E;Can a single-coil guitar ( bridge position) sounds like a humbucker guitar ( bridge position) , if no...</description>
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<pubDate>Mon, 13 Sep 2010 09:39:30 -0000</pubDate>
</item>
<item>
<title>4 REASONS BEHIND JUST 4-STRINGS</title>
<link>http://bualgitar.multiply.com/journal/item/570/4_REASONS_BEHIND_JUST_4-STRINGS</link>
<description>&#x3C;p&#x3E;This year I&#x27;ve played four shows with just four strings on my guitar.&#x3C;/p&#x3E; &#x3C;p&#x3E;YES 4 STRINGS......on a 6 string guitar. &#x3C;/p&#x3E; &#x3C;p&#x3E;Call it nonsense, call it blasphemy, call it me copying Max Cavalera, whatever. It&#x27;s actually quite LIBERATING, well at least for me.&#x3C;/p&#x3E; &#x3C;p&#x3E;So the 666-million dollar question - WHY DO IT BO?&#x3C;/p&#x3E; &#x3C;p&#x3E;First, the cliche reason - following the gospel of Max Cavalera since I&#x27;m a Max fanboy. &#x3C;/p&#x3E; &#x3C;p&#x3E;But then again, I&#x27;ve always been a Max fanboy. Why now?&#x3C;/p&#x3E; &#x3C;p&#x3E;So the second reason, functionality. How so? Simple. I don&#x27;t play leads, I don&#x27;t play clean chords, I only play distorted power chords and riffs using the four low strings. So I can make do without the top two strings.&#x3C;/p&#x3E; &#x3C;p&#x3E;Third reason - I&#x27;m a sloppy player. My right hand don&#x27;t always make a grip and my fingers will sloppily hit the high strings unintentionally. Removing the two strings makes the playing sound tighter.&#x3C;/p&#x3E; &#x3C;p&#x3E;Last reason - it&#x27;s a nod to minimalism. Yup less is more. Push your limits and open new horizons and say fuck off to the establishment with...</description>
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<pubDate>Wed, 18 Aug 2010 05:28:50 -0000</pubDate>
</item>
<item>
<title>GUITARDOM REPORT....</title>
<link>http://bualgitar.multiply.com/journal/item/569/GUITARDOM_REPORT....</link>
<description>&#x3C;p&#x3E;After months of not writing here.....finally something...&#x3C;/p&#x3E; &#x3C;p&#x3E;Many people have abandoned their multiply site. I didnt. It&#x27;s just that focus is more on FB now. Faster response that&#x27;s all. In many ways, multiply is still better.&#x3C;/p&#x3E; &#x3C;p&#x3E;I think the last time I wrote here, I have clearly indicated I have made a big paradigm shift from a gear junkie to &#x27;whatever that works&#x27;. I&#x27;m still that.&#x3C;/p&#x3E; &#x3C;p&#x3E;But of course, it&#x27;s not as if I have not acquired any new gear in the last 8 months.&#x3C;/p&#x3E; &#x3C;p&#x3E;In February, my father-in-law bought me a Gibson SG standard and recently I bought my first wireless.&#x3C;/p&#x3E; &#x3C;p&#x3E;Nothing much to say about the Gibson coz the whole world knows that it is a legendary guitar. The wireless though, is worth saying more than just a few words. &#x3C;/p&#x3E; &#x3C;p&#x3E;I bought the wireless for Rentak Singapura coz of performance reasons. By the way, it&#x27;s a Line 6 G30. Yes, it&#x27;s not a Nady or a Shure, those expensive rackmount types BUT also unlike them it DOESN&#x27;T run on radio frequency. Big deal, u say? Yes, that was my attitude too until...</description>
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<pubDate>Mon, 16 Aug 2010 09:27:32 -0000</pubDate>
</item>
<item>
<title>ANDYKA KHALIEF SKULLBANGER</title>
<link>http://bualgitar.multiply.com/photos/album/33/ANDYKA_KHALIEF_SKULLBANGER</link>
<description>My third child. It&#x27;s a boy again! Born on Monday, 28th June 2010 at 10am, weighing 4.1kg. His name is ANDYKA KHALIEF BIN BURHANUDIN. Welcome to this cruel world, son. Be strong and mindful of the &#x27;I&#x27; and may Allah protect us</description>
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<pubDate>Sun, 8 Aug 2010 15:50:24 -0000</pubDate>
</item>
<item>
<title>The Bualgitar Evolution......</title>
<link>http://bualgitar.multiply.com/journal/item/568/The_Bualgitar_Evolution......</link>
<description>&#x3C;p&#x3E;From just a bualgitar.multiply.com to Bualgitar KTS to Bualgitar Metal Matinee, the journey has taken a good 4 years. Yes, bualgitar was started in the last World Cup year, 2006, a World Cup which I utterly hate with a passion!&#x3C;/p&#x3E; &#x3C;p&#x3E;Anyhoo, the evolution of Bualgitar will not be possible if not for you people who took great pains to read my entries,commented on them and supported my forays into the world of &#x27;guitar&#x27; talk shows. Thank you for all the support.&#x3C;/p&#x3E; &#x3C;p&#x3E;Now, the Bualgitar evolution enters a new form - personalised and customised instructional sessions!&#x3C;/p&#x3E; &#x3C;p&#x3E;Just like BMM is not a clinic, this new creation is NOT a guitar lesson. It is more of a &#x27;solution&#x27; to your tonal and playing problems and of course it&#x27;s METAL specific of course. Since it is a &#x27;personalised and customised&#x27; instruction, there;s no point in me putting the prices here. If you are interested you can PM me or email &#x3C;a href=&#x22;mailto:bualgitar@gmail.com&#x22;&#x3E;bualgitar@gmail.com&#x3C;/a&#x3E;. The tonal problem solution component is specifically designed to get the best of your exis...</description>
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<pubDate>Sun, 6 Jun 2010 00:01:58 -0000</pubDate>
</item>
<item>
<title>BUALGITAR METAL MATINEE 6: ACE THE BASS: THE LAST BMM?</title>
<link>http://bualgitar.multiply.com/journal/item/567/BUALGITAR_METAL_MATINEE_6_ACE_THE_BASS_THE_LAST_BMM</link>
<description>&#x3C;p&#x3E;I answer my own question. Maybe yes, maybe no.&#x3C;/p&#x3E; &#x3C;p&#x3E;Yes, for the moment because with me going to be a father of three in June, insyallah, and with the fasting month and THE MONTHS THE DEMONS RIOT after that, there is no way there will be a BMM in the next four months.&#x3C;/p&#x3E; &#x3C;p&#x3E;So yes, it&#x27;s the last one for now. Let&#x27;s make it an AWESOME one!&#x3C;/p&#x3E; &#x3C;p&#x3E;and this time round, there&#x27;ll be proper seats, hehhehe and no I still havent got the Dunlopillo sponsorship.hehehe.&#x3C;/p&#x3E; &#x3C;p&#x3E;OK, let me clear some things first. The last BMM is NOT a bass clinic. There won&#x27;t be any bass virtuosos to teach you how to play like Steve Harris or John Myung or Tony Choy. &#x3C;/p&#x3E; &#x3C;p&#x3E;It will be however skewed towards the bass in relation with the modern metal soundscape. You see, or to be more appropriate you HEAR, the bass as an instrument is a very &#x27;inaudible&#x27; instrument in the post-80s metal soundscape especially with two guitar bands to the point one may ask, &#x27;do you really need the bass?&#x27; Now, this is especially so for metal with extreme downtuning. ...</description>
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<pubDate>Sun, 16 May 2010 14:47:03 -0000</pubDate>
</item>
<item>
<title>VICIOUS VOLUME SUN 7 MARCH 2010</title>
<link>http://bualgitar.multiply.com/journal/item/566/VICIOUS_VOLUME_SUN_7_MARCH_2010</link>
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style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;&#x26;nbsp;&#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;VV REQUESTS 1&#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;THE AGONIST &#x2013; TAKE A BOW&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;THE DEVIL WEARS PRADA &#x2013; THIS SONG IS CALLED&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;SOULFLY &#x2013; EXECUTION STYLE&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;&#x26;nbsp;&#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;Intro Song part 2&#x3C;/b&#x3E;&#x3C;/p&#x3E; 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&#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;DEATH ANGEL &#x2013; ACT III album&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp; STOP&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;...</description>
<guid isPermaLink="true">http://bualgitar.multiply.com/journal/item/566/VICIOUS_VOLUME_SUN_7_MARCH_2010</guid>
<pubDate>Fri, 5 Mar 2010 09:50:07 -0000</pubDate>
</item>
<item>
<title>GAY BOY FROM PUERTO RICO CRUCIFIED UPSIDE DOWN!</title>
<link>http://bualgitar.multiply.com/journal/item/565/GAY_BOY_FROM_PUERTO_RICO_CRUCIFIED_UPSIDE_DOWN</link>
<description>&#x3C;p&#x3E;This is a super raw punk metal rendition of Livin La Vida Loca. Yes, I know I suck at doing the scratch vocals for this.&#x3C;/p&#x3E; &#x3C;p&#x3E;Download the attachment. Right Click and Save Target As.&#x3C;/p&#x3E; &#x3C;p&#x3E;WARNING: FANS OF THAT GAY BOY WILL CRY AND PUKE!!!!&#x3C;/p&#x3E; &#x3C;p&#x3E;&#x26;nbsp;&#x3C;/p&#x3E;</description>
<guid isPermaLink="true">http://bualgitar.multiply.com/journal/item/565/GAY_BOY_FROM_PUERTO_RICO_CRUCIFIED_UPSIDE_DOWN</guid>
<pubDate>Mon, 15 Feb 2010 16:44:14 -0000</pubDate>
</item>
<item>
<title>BANDS WANTED FOR BUALGITAR METAL MATINEE 5</title>
<link>http://bualgitar.multiply.com/journal/item/563/BANDS_WANTED_FOR_BUALGITAR_METAL_MATINEE_5</link>
<description>&#x3C;p&#x3E;Hi good people, I&#x27;m looking for bands for Bualgitar Metal Matinee 5.&#x3C;/p&#x3E; &#x3C;p&#x3E;The next installment of the BMM series will focus on MULTI-FX FLOOR PROCESSORS.&#x3C;/p&#x3E; &#x3C;p&#x3E;Bands that:&#x3C;/p&#x3E; &#x3C;p&#x3E;a. are metal/hard rock&#x3C;/p&#x3E; &#x3C;p&#x3E;b. have at least one guitar player using multi-fx floor processors.&#x3C;/p&#x3E; &#x3C;p&#x3E;are welcomed to &#x27;apply&#x27; if interested.&#x3C;/p&#x3E; &#x3C;p&#x3E;Bands are required to:&#x3C;/p&#x3E; &#x3C;p&#x3E;a. perform a setlist of 3 songs ( around 20 min playing time )&#x3C;/p&#x3E; &#x3C;p&#x3E;b. sell a booklet of 10 tickets, $5 each, &#x26;nbsp;in which the band will get $2 per ticket sold. Need not pay for the unsold tickets.&#x3C;/p&#x3E; &#x3C;p&#x3E;c. ( only for the guitarists ) discuss the strengths and weaknesses of the multi-fx processors.&#x3C;/p&#x3E; &#x3C;p&#x3E;&#x26;nbsp;&#x3C;/p&#x3E; &#x3C;p&#x3E;There&#x27;s still room for 3 more bands. If you are interested, please email me at &#x3C;a href=&#x22;mailto:bualgitar@gmail.com&#x22;&#x3E;&#x3C;strong&#x3E;&#x3C;font size=&#x22;5&#x22;&#x3E;bualgitar@gmail.com&#x3C;/font&#x3E;&#x3C;/strong&#x3E;&#x3C;/a&#x3E;&#x3C;/p&#x3E; &#x3C;p&#x3E;&#x26;nbsp;&#x3C;/p&#x3E;</description>
<guid isPermaLink="true">http://bualgitar.multiply.com/journal/item/563/BANDS_WANTED_FOR_BUALGITAR_METAL_MATINEE_5</guid>
<pubDate>Tue, 9 Feb 2010 03:56:31 -0000</pubDate>
</item>
<item>
<title>WYNKEN DELIRIUM</title>
<link>http://bualgitar.multiply.com/journal/item/562/WYNKEN_DELIRIUM</link>
<description> &#x3C;p style=&#x22;MARGIN: 0cm 0cm 10pt;&#x22; class=&#x22;MsoNormal&#x22;&#x3E;&#x3C;font color=&#x22;#ffff00&#x22; size=&#x22;3&#x22;&#x3E;&#x27; Lembab dan Berat &#x27; ( slow and heavy)&#x3C;br&#x3E;&#x3C;br&#x3E;That was the first ever description I came across regarding Malaysian band Wynken Delirium on a gig flyer in 2009.&#x3C;br&#x3E;&#x3C;br&#x3E;I was intrigued. Are they a doom metal / sludge band? Not many of those in Malaysia. In fact I dare say, now that I&#x27;ve heard Wynken Delirium&#x27;s music and live performance, a RARE commodity.&#x3C;br&#x3E;&#x3C;br&#x3E;Present day Malaysia is not a hotbed for anything heavy metal or traditional hard rock. It&#x27;s INDIE-LAND!!! It&#x27;s their time now! Sure the otai metal bands or the otai rock kang-kang bands are still around but is there still a consumership, a decent sizeable one that can fill the halls of metal gigs or buy the bands DIY products?&#x3C;br&#x3E;&#x3C;br&#x3E;Maybe there is still but more likely the number has downsized considerably. Can a Malaysian metalhead shed light on this???? I&#x27;m a Singaporean and my views are shaped by what I experience and may not be accurate.&#x3C;br&#x3E;&#x3C;br&#x3E;Anyhoo back to INDIE-LAND. Yes the proliferation of Indie Malaya bands. Love em or hate em, they are aplenty these day...</description>
<guid isPermaLink="true">http://bualgitar.multiply.com/journal/item/562/WYNKEN_DELIRIUM</guid>
<pubDate>Sun, 7 Feb 2010 14:19:32 -0000</pubDate>
</item>
<item>
<title>VICIOUS VOLUME SUN 7 FEB 2010</title>
<link>http://bualgitar.multiply.com/journal/item/561/VICIOUS_VOLUME_SUN_7_FEB_2010</link>
<description>&#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;Intro song Part 1&#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;FIFTH ANGEL &#x2013; MIDNIGHT LOVE&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x26;nbsp;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;VV Cover Song&#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;ROADRUNNER UNITED &#x2013; CURSE OF THE PHARAOHS&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x26;nbsp;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;VV REVIEW&#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;DREAM EVIL &#x2013; IN THE NIGHT&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;&#x26;nbsp;&#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;VV LIONCITY part 1&#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;ABBATORY &#x2013; VOICES FROM THE GRAVE&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;&#x26;nbsp;&#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;CLASSIC&#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;SARCOFAGO - NIGHTMARE&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;&#x26;nbsp;&#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;METAL WORLDWIDE &#x2013; &#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;MYRATH &#x2013; FOREVER AND A DAY ( Tunisia ) &#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x26;nbsp;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;VV REQUESTS 1&#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;SODOM &#x2013; BOMBENHAGEL (dzul edires )&#x3C;/p&#x3E; 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&#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;VV Hardcore Industrial Punk Grind&#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;SEX PISTOLS &#x2013; HOLIDAY IN THE SUN&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;&#x26;nbsp;&#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;VV-ALBUM INI ADA CERITA BEB &#x2013;&#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;CRIMSON GLORY &#x2013; CRIMSON GLORY&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;&#x26;nbsp;&#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;VV LIONCITY part 2&#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;RASPATUL &#x2013; MENGHITUNG AJAL&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;&#x26;nbsp;&#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;VV ASIAN METAL &#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;SABBAT &#x2013; BLACK FIRE&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;&#x26;nbsp;&#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;VV RILEK JEK&#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;SEARCH &#x2013; MENITI TITIAN USANG&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;&#x26;nbsp;&#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;VV REQUESTS PART 2&#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;MEGADETH &#x2013; HOLY WARS / PUNISHMENT DUE ( kai hernando )&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;ANTHRAX &#x2013; MEDUSA ( zailani gogmagog )&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;MORBID ANGEL &#x2013; IMMORTAL RITES (huzy schuldiner )&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;&#x26;nbsp;&#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;OUTRO SONG&#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;METALLICA &#x2013; THAT W...</description>
<guid isPermaLink="true">http://bualgitar.multiply.com/journal/item/561/VICIOUS_VOLUME_SUN_7_FEB_2010</guid>
<pubDate>Fri, 5 Feb 2010 09:41:14 -0000</pubDate>
</item>
<item>
<title>The recent AC Nielsen diary survey shows that VICIOUS VOLUME has the highest listenership among Ria&#x27;s weekend programmes. Thank you people for supporting my little radio show and let those pussies know that METAL WILL NEVER DIE! 666 devilhorns!!!</title>
<link>http://bualgitar.multiply.com/notes/item/5</link>
<guid isPermaLink="true">http://bualgitar.multiply.com/notes/item/5</guid>
<pubDate>Sat, 23 Jan 2010 17:24:59 -0000</pubDate>
</item>
<item>
<title>Harmonize and &#x22;Dissonize&#x27;</title>
<link>http://bualgitar.multiply.com/journal/item/560/Harmonize_and_Dissonize</link>
<description>&#x3C;p&#x3E;Harmonised leads n riffs&#x26;nbsp;in rock/metal are everywhere, to the point that they tend to become songwriting cliches.&#x3C;/p&#x3E; &#x3C;p&#x3E;&#x3C;strong&#x3E;JUDAS PRIEST, IRON MAIDEN, CARCASS, IN FLAMES, KILLSWITCH ENGAGE, AVENGED SEVENFOLD, THE DARKNESS, METALLICA, hell even in &#x22; Hotel California&#x22; by THE EAGLES.&#x3C;/strong&#x3E;&#x3C;/p&#x3E; &#x3C;p&#x3E;The list can go on and on and on and on and on like Dio doing a live version of Heaven and Hell. &#x3C;/p&#x3E; &#x3C;p&#x3E;Why are metal/rock songs have harmonised parts? Well, you can get a whole variety of answers to that question as different people have different agendas.&#x3C;/p&#x3E; &#x3C;p&#x3E;More importantly, let&#x27;s answer the &#x27;hows&#x27;?&#x3C;/p&#x3E; &#x3C;p&#x3E;&#x3C;strong&#x3E;How to harmonise?&#x3C;/strong&#x3E;&#x3C;/p&#x3E; &#x3C;p&#x3E;&#x3C;strong&#x3E;How to use corresponding &#x27;modes&#x27; or &#x27;notes&#x27; effectively to create a harmonised part?&#x3C;/strong&#x3E;&#x3C;/p&#x3E; &#x3C;p&#x3E;&#x3C;strong&#x3E;How do we avoid the typical harmony aka the&#x26;nbsp;harmonised 3rds ( root/third harmony )?&#x3C;/strong&#x3E;&#x3C;/p&#x3E; &#x3C;p&#x3E;&#x3C;strong&#x3E;How do we create a non-typical harmony or disharmony ( dissonance ) ?&#x3C;/strong&#x3E;&#x3C;/p&#x3E; &#x3C;p&#x3E;Gentlemen and ladies, BUALGITAR METAL MATINEE 4: HARMONY AND DISSONANCE attempts to answer your queries regarding harmony and dissonance in metal.&#x3C;/p&#x3E; &#x3C;p&#x3E;Burhan Skullbanger,...</description>
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<pubDate>Sat, 23 Jan 2010 16:42:41 -0000</pubDate>
</item>
<item>
<title>VICIOUS VOLUME SUN 24 JAN 2010</title>
<link>http://bualgitar.multiply.com/journal/item/559/VICIOUS_VOLUME_SUN_24_JAN_2010</link>
<description>&#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;strong&#x3E;Intro song Part 1&#x3C;br&#x3E;&#x3C;/strong&#x3E;NIGHTWISH &#x2013; SHE IS MY SIN&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;strong&#x3E;&#x3C;/strong&#x3E;&#x26;nbsp;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;strong&#x3E;VV Cover Song&#x3C;br&#x3E;&#x3C;/strong&#x3E;NAPALM DEATH &#x2013; RIOT OF VIOLENCE&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;strong&#x3E;&#x3C;/strong&#x3E;&#x26;nbsp;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;strong&#x3E;VV REVIEW&#x3C;br&#x3E;&#x3C;/strong&#x3E;SOLSTICE &#x2013; TO DUST &#x3C;br&#x3E;To dust&#x3C;br&#x3E;Impressive Technology&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;strong&#x3E;&#x3C;/strong&#x3E;&#x26;nbsp;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;strong&#x3E;VV LIONCITY part 1&#x3C;br&#x3E;&#x3C;/strong&#x3E;ROULETTE &#x2013; PLAY WITH ME&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;strong&#x3E;&#x3C;/strong&#x3E;&#x26;nbsp;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;strong&#x3E;CLASSIC&#x3C;/strong&#x3E;&#x3C;br&#x3E;SACRED REICH &#x2013; SURF NICARAGUA&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;br&#x3E;&#x3C;strong&#x3E;METAL WORLDWIDE &#x2013; &#x3C;br&#x3E;&#x3C;/strong&#x3E;NECROSIS &#x2013; REBORN ( Chile )&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;strong&#x3E;&#x3C;/strong&#x3E;&#x26;nbsp;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;strong&#x3E;VV REQUESTS 1&#x3C;br&#x3E;&#x3C;/strong&#x3E;CANDLEMASS &#x2013; 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&#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;TERRORIZER &#x2013; FEAR OF NAPALM&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;&#x26;nbsp;&#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;VV-ALBUM INI ADA CERITA BEB &#x2013;&#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;D.R.I &#x2013; CROSSOVER album &#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;Tear It Down&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;Probation&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp; &#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;VV LIONCITY part 2&#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;TRABO &#x2013; LAFAZ DAN IKRAR&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;&#x26;nbsp;&#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;VV ASIAN METAL &#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;JASAD &#x2013; RAKING THE WEAK&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;&#x26;nbsp;&#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;VV RILEK JEK&#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;MACHINE HEAD &#x2013; THE BURNING RED&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;&#x26;nbsp;&#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;VV REQUESTS PART 2&#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;SIL KHANNAZ &#x2013; SANTAPAN TERAKHIR RAJA BERSIONG ...</description>
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<pubDate>Fri, 22 Jan 2010 12:01:46 -0000</pubDate>
</item>
<item>
<title>Looking for bands for Bualgitar Metal Matinee 5</title>
<link>http://bualgitar.multiply.com/notes/item/4</link>
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<pubDate>Thu, 21 Jan 2010 05:30:32 -0000</pubDate>
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<item>
<title>nUx 30-watt amp! Killer!!!</title>
<link>http://bualgitar.multiply.com/journal/item/558/nUx_30-watt_amp_Killer</link>
<description>&#x3C;p&#x3E;Thank Gusti Allah for helping me kill my ego with regards to guitar tone.&#x3C;/p&#x3E; &#x3C;p&#x3E;Yes, I was a tube-amp snob, an advocate for pedalboards loaded with countless stompboxes and hating the digital multi-FX floor processor with a passion.&#x3C;/p&#x3E; &#x3C;p&#x3E;But I have made that paradigm shift! How come? Coz I let my ears be the judge.&#x3C;/p&#x3E; &#x3C;p&#x3E;Yes boys and girls, when you let your ears be the judge, walls of ego come crumbling down faster than a stacks of Marshalls come tumbling down after the encore!&#x3C;/p&#x3E; &#x3C;p&#x3E;And the best part is if you start letting your ears be the judge, you&#x27;ll probably save a lot of $$$$.&#x3C;/p&#x3E; &#x3C;p&#x3E;As a metal guitarist, I have narrowed down my criteria of what a good metal distortion tone is to&#x26;nbsp;a few&#x26;nbsp;factors:&#x3C;/p&#x3E; &#x3C;p&#x3E;a. it has to sound warm, has tight lows and has that top end bite to make the notes clear.&#x3C;/p&#x3E; &#x3C;p&#x3E;b. It must be able to cut through the band.&#x3C;/p&#x3E; &#x3C;p&#x3E;c. It must be able to sound good at extreme low tunings.&#x3C;/p&#x3E; &#x3C;p&#x3E;Irregardless of whether it is amp distortion ( tube, solid-state, digital or hybrid), stompboxes, digital processors...</description>
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<pubDate>Tue, 19 Jan 2010 17:53:30 -0000</pubDate>
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<title>A 30-watt NuX amp that has a mean distortion very suitable for 80s thrash. Will it pass the downtuned guitar test? I dont know but I&#x27;ll let my ears be the judge.</title>
<link>http://bualgitar.multiply.com/notes/item/3</link>
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<pubDate>Tue, 19 Jan 2010 17:09:36 -0000</pubDate>
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<item>
<title>WHAT IS BUALGITAR METAL MATINEE ? PART 2.</title>
<link>http://bualgitar.multiply.com/journal/item/557/WHAT_IS_BUALGITAR_METAL_MATINEE_PART_2.</link>
<description>&#x3C;p&#x3E;I told you I&#x27;ll give the answers to some FAQ regarding BMM. Here they are.&#x3C;/p&#x3E; &#x3C;p&#x3E;&#x3C;strong&#x3E;a. Why do you do BMM?&#x3C;/strong&#x3E;&#x3C;/p&#x3E; &#x3C;p&#x3E;Simply because the Bualgitar KTS model was not as successful as I would like it to be. The content was alright/decent but the EAM ( economic activity model ) is wrong on many fronts. Other than that, I find the audience&#x26;nbsp;attention&#x26;nbsp;span to be very short for a 2 hr talk. That&#x27;s why I moved from&#x26;nbsp;Bualgitar KTS to BMM.&#x26;nbsp;To have bands&#x27; performances to illustrate points. Other than that having bands be part of the knowledge transfer is&#x26;nbsp;a better learning&#x26;nbsp;experience for the audience. It is less boring. Besides, the&#x26;nbsp;BMM platform can be seen as a showcase for metal bands and a way for them to have a &#x27;soundcheck&#x27; before their &#x27;bigger&#x27; shows.&#x26;nbsp;Lastly, I believe in knowledge transfer and I want to enculturalise the investment in knowledge acquistion of the guitar playing culture, especially in metal guitar playing. The BMM model, in my opinion, is&#x26;nbsp;a win-win situa...</description>
<guid isPermaLink="true">http://bualgitar.multiply.com/journal/item/557/WHAT_IS_BUALGITAR_METAL_MATINEE_PART_2.</guid>
<pubDate>Sun, 17 Jan 2010 16:10:23 -0000</pubDate>
</item>
<item>
<title>VICIOUS VOLUME SUN 17 JAN 2010</title>
<link>http://bualgitar.multiply.com/journal/item/556/VICIOUS_VOLUME_SUN_17_JAN_2010</link>
<description>&#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;Intro song Part 1&#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;PROBOT &#x2013; CENTURIES OF SIN&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;&#x26;nbsp;&#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;VV Cover Song&#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;SOULFLY &#x2013; UNDER THE SUN&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;&#x26;nbsp;&#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;VV REVIEW&#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;XPDC &#x2013; &#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;&#x26;nbsp;&#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;VV LIONCITY part 1&#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;TRABO &#x2013; LAFAZ DAN IKRAR&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;&#x26;nbsp;&#x3C;/b&#x3E;&#x3C;/p&#x3E; 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WHEN THE DRAGON LIES BLEEDING&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;&#x26;nbsp;&#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;&#x26;nbsp;&#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;&#x3C;b style=&#x22;mso-bidi-font-weight: normal;&#x22;&#x3E;OUTRO SONG&#x3C;/b&#x3E;&#x3C;/p&#x3E; &#x3C;p class=&#x22;MsoNormal&#x22; style=&#x22;MARGIN: 0in 0in 0pt;&#x22;&#x3E;E...</description>
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<pubDate>Thu, 14 Jan 2010 08:37:11 -0000</pubDate>
</item>
<item>
<title>Bualgitar Metal Matinee: What Is It?</title>
<link>http://bualgitar.multiply.com/journal/item/555/Bualgitar_Metal_Matinee_What_Is_It</link>
<description>&#x3C;p&#x3E;To the uninitiated,&#x3C;/p&#x3E; &#x3C;p&#x3E;it is not exactly a gig. It is more like a workshop. Call it edu-tainment if you must.&#x3C;/p&#x3E; &#x3C;p&#x3E;Why? Coz BMM is a &#x27;show&#x27; in which host or performers can engage the audience by asking them about the following:&#x3C;/p&#x3E; &#x3C;p&#x3E;Can the vocals be heard?&#x3C;/p&#x3E; &#x3C;p&#x3E;Is guitarist A louder than guitarist B?&#x3C;/p&#x3E; &#x3C;p&#x3E;Is Mr Bassist loud enough?&#x3C;/p&#x3E; &#x3C;p&#x3E;Can you hear Mr Shredder&#x27;s shreddings?&#x3C;/p&#x3E; &#x3C;p&#x3E;Yes ladies and gentlemen. It is not a show as in the traditional gig sense, it is a show where everybody learns. The bands, the audience and the host/organiser.&#x3C;/p&#x3E; &#x3C;p&#x3E;That is why there&#x27;s probably more talk than songs. &#x3C;/p&#x3E; &#x3C;p&#x3E;OK some FAQs abt BMM that people asked me.&#x3C;/p&#x3E; &#x3C;p&#x3E;&#x3C;strong&#x3E;a. Why do you do BMM?&#x3C;/strong&#x3E;&#x3C;/p&#x3E; &#x3C;p&#x3E;&#x3C;strong&#x3E;b. How far do you think the audience will learn anything?&#x3C;/strong&#x3E;&#x3C;/p&#x3E; &#x3C;p&#x3E;&#x3C;strong&#x3E;c. What&#x27;s the learning benefits for the bands?&#x3C;/strong&#x3E;&#x3C;/p&#x3E; &#x3C;p&#x3E;&#x3C;strong&#x3E;d. Why do&#x26;nbsp;they have to sell tickets?&#x3C;/strong&#x3E;&#x3C;/p&#x3E; &#x3C;p&#x3E;&#x3C;strong&#x3E;e. Why don&#x27;t you move to a bigger venue?&#x3C;/strong&#x3E;&#x3C;/p&#x3E; &#x3C;p&#x3E;Wanna know my answers stay tuned...............&#x3C;/p&#x3E; &#x3C;p&#x3E;&#x26;nbsp;&#x3C;/p&#x3E; &#x3C;p&#x3E;BUALGITAR METAL MATINEE 4: HARMONY AND DISSONANCE.&#x3C;/p&#x3E; &#x3C;p&#x3E;SAT 30 JAN 2010, CHAPTER 6 STUDIO,&#x3C;/p&#x3E; &#x3C;p&#x3E;4-6PM, $5 SGD. &#x3C;/p&#x3E; &#x3C;p&#x3E;Bands: SCAPHOIDS, THY FALL...</description>
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<pubDate>Wed, 13 Jan 2010 16:43:11 -0000</pubDate>
</item>
<item>
<title>WHY DID THEY</title>
<link>http://bualgitar.multiply.com/journal/item/554/WHY_DID_THEY</link>
<description>&#x3C;p&#x3E;discontinue this thing?&#x3C;/p&#x3E; &#x3C;p&#x3E;&#x3C;img src=&#x22;http://www.pazcerezo.com/images/productos/CRATE_POWERBLOCK_CABEZAL.jpg&#x22;&#x3E;&#x3C;/p&#x3E; &#x3C;p&#x3E;Yes peeps THE CRATE POWER BLOCK. The smallest amp head in the world. So lightweight you wont have backache carrying it. I know this is old news but this thing is versatility and practicability in one single package.&#x3C;/p&#x3E; &#x3C;p&#x3E;Use it as a clean amp, a dirty amp, a power amp. Everything can. &#x3C;/p&#x3E; &#x3C;p&#x3E;Check out the following youtube links:&#x3C;/p&#x3E; &#x3C;p&#x3E;&#x3C;a href=&#x22;http://www.youtube.com/watch?v=z7uO9oO6pOI&#x22;&#x3E;http://www.youtube.com/watch?v=z7uO9oO6pOI&#x3C;/a&#x3E;&#x3C;/p&#x3E; &#x3C;p&#x3E;Check out that guy&#x27;s dirty sound, it&#x27;s the AC/DC crunch, one of the building blocks for the modern metal sound. &#x3C;/p&#x3E; &#x3C;p&#x3E;&#x3C;a href=&#x22;http://www.youtube.com/watch?v=mQdWbRXDt4g&#x26;amp;feature=related&#x22;&#x3E;http://www.youtube.com/watch?v=mQdWbRXDt4g&#x26;amp;feature=related&#x3C;/a&#x3E;&#x3C;/p&#x3E; &#x3C;p&#x3E;Check out all the things it can do.&#x3C;/p&#x3E; &#x3C;p&#x3E;To those who are using multi-FX floor processors, this thing will solve all your inconsistent sound problems you get when you run your processors with different amps.&#x3C;/p&#x3E; &#x3C;p&#x3E;Try to get it 2nd hand if you can coz Crate discontinued it! They shouldn&#x27;t.&#x3C;/p&#x3E; &#x3C;p&#x3E;&#x26;nbsp;&#x3C;/p&#x3E; &#x3C;p&#x3E;&#x26;nbsp;&#x3C;/p&#x3E;</description>
<guid isPermaLink="true">http://bualgitar.multiply.com/journal/item/554/WHY_DID_THEY</guid>
<pubDate>Tue, 12 Jan 2010 04:43:39 -0000</pubDate>
</item>
<item>
<title>http://chuggaritual.multiply.com/music/item/28. Me and my son in a metal song. </title>
<link>http://bualgitar.multiply.com/notes/item/2</link>
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<pubDate>Mon, 2 Nov 2009 09:47:17 -0000</pubDate>
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